Articles
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Zone of Magnified Power: Site Specific Sound Art, (by David Means),
PublicArtReview, Vol 11, #2, Spr-Sum 2000
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Pendulum-based
Instruments, Percussive Video,
Sound Art, and the Permanence of Ephemeral Public Art,
Organized
Sound,
Cambridge University Press, England, Summer '98
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The
Catacombs of Yucatan Sound and Video Installation,
American Composers Forum Newsletter, Vol.23, No.1 '96
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Sound Art and the International Connection,
Cultural Resource Newsletter, Vol. 3, No. 4, Tacoma '95
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Systems
for Non-Linear Instruments and Notation,
Journal of New
Music Research,
September, Amsterdam, Holland '94
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...Non-Linear Instruments, Experimental Music Instruments,
California, two parts, Summer and Fall editions '93
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The
Raku Composition Program,
Interface, September, Amsterdam,
Holland '91
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Music
Up Close,
Puchong Gallery Notes, Winter '90
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Standard
Performance Practice, Soundsculpture and Scrapercussion,
Percussive Notes, Research Edition, Autumn '83
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The Application of Microcomputers to Music Composition
as a Compositionaland Clerical Tool, Proceedings,
'81 ICMC, North Texas State University, Denton '81
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